|
VISST—Visual Studies |
|
• VISST 3522 - [Dark Passages: Film Noir]
|
|
• VISST 3560 - Computing Cultures
|
|
• VISST 3565 - Art & Architecture of Colonial Latin America
|
|
• VISST 3566 - [Art and Architecture of the Pre-Columbian Americas]
|
|
• VISST 3581 - [Imagining Migration in Film and Literature]
|
|
• VISST 3600 - [Contemporary Art: 1960-Present]
|
|
• VISST 3620 - Lighting Design Studio I
|
|
• VISST 3650 - [History and Theory of Digital Art]
|
|
• VISST 3651 - Women in New Media Art
|
|
• VISST 3672 - [The Art of the Historical Avant-Garde]
|
|
• VISST 3696 - The Arts of Southeast Asia
|
|
• VISST 3702 - [Desire and Cinema]
|
|
• VISST 3750 - Asian American Digital Lives
|
|
• VISST 3758 - Technology and the Moving Body I
|
|
• VISST 3760 - American Cinema since 1968
|
|
• VISST 3798 - Fundamentals of Directing I
|
|
• VISST 3812 - Edge Cities: Celluloid New York and Los Angeles
|
|
• VISST 3901 - [Bollywood and Beyond: South Asian Cinema]
|
|
• VISST 4151 - [Topics in Media Arts]
|
|
• VISST 4153 - Topics in Feminist Media Arts
|
|
• VISST 4154 - [Feminism, Post-Feminism, and Cyberfeminism]
|
|
• VISST 4155 - Topics in Latin American Art
|
|
• VISST 4160 - Topics in Colonial Encounters
|
|
• VISST 4161 - [Visual Cultures of the Andes]
|
|
• VISST 4165 - [Visual Encounters in the Early Modern World]
|
|
• VISST 4221 - Technologies of Verse
|
|
• VISST 4260 - Adaptation: Text/Theatricality
|
|
• VISST 4350 - [Faces of Power]
|
|
• VISST 4351 - [Problems in Byzantine Art]
|
|
• VISST 4352 - [Medieval Cosmologies: Text, Image, and Music]
|
|
• VISST 4412 - [Playing out Difference: History and Identity in Sports Film]
|
|
• VISST 4436 - [Topics in Indian Film]
|
|
• VISST 4438 - [Language and Image]
|
|
• VISST 4440 - Constructing the Self in the Sixteenth Century
|
|
• VISST 4441 - [Screening the Environment]
|
|
• VISST 4445 - [Nature, Cultural Landscape, and Gardens in Early Modern Italy and France]
|
|
• VISST 4450 - [Representations of Women in the Italian Renaissance]
|
|
• VISST 4451 - The World on Paper: Early Modern Printmaking (1475-1798)
|
|
• VISST 4507 - [Topics in Contemporary Art]
|
|
• VISST 4545 - Text Analysis for Production: How to Get from the Text onto the Stage
|
|
• VISST 4546 - [Shakespeare in (Con)text]
|
|
• VISST 4563 - Lighting Design Studio II
|
|
• VISST 4601 - [Space, Gender, Body in Early Modern Art]
|
|
• VISST 4603 - [Perplexing Pictures: Puzzles & Problems in Early Modern Art]
|
|
• VISST 4604 - [Rembrandt and Vermeer: New Takes on Old Masters]
|
|
• VISST 4605 - [Art/Science Intersections: More than Meets the Eye]
|
|
• VISST 4607 - [The Museum and the Object]
|
|
• VISST 4615 - Artivism: Electronic Civil Disobedience
|
|
• VISST 4617 - Seeing Corruption in Mexico
|
|
• VISST 4620 - Undocumentation
|
|
• VISST 4641 - [Comparative Modernities]
|
|
• VISST 4696 - [The Art Market]
|
|
• VISST 4758 - Technology and the Moving Body II
|
|
• VISST 4793 - [Advanced Film and Video Projects]
|
|
• VISST 4818 - [Exhibition Seminar]
|
|
• VISST 4819 - [Collecting Chinese Art: History and Strategies]
|
|
• VISST 4835 - [Performance Studies: Theories and Methods]
|
|
• VISST 4840 - [Contemporary Taiwanese Art]
|
|
• VISST 4851 - Performing Objects/Collecting Cultures
|
|
• VISST 4852 - [Shadowplay: Asian Art and Performance]
|
|
• VISST 4855 - [Threads of Consequence: Textiles in South and Southeast Asia]
|
|
• VISST 4857 - [Producing Cloth Cultures]
|
|
• VISST 4858 - [Dancing the Stone: Body, Memory, and Architecture]
|
|
• VISST 4859 - [Biodiversity in Art: Unruly Passions in Collecting, Narrating and Creating]
|
|
• VISST 4860 - [Working Hot: Exploring Art Beyond Representation]
|
|
• VISST 4945 - Body Politics in African Literature and Cinema
|
|
• VISST 6151 - [Topics in Media Arts]
|
|
• VISST 6155 - Topics in Latin American Art
|
|
• VISST 6351 - [Problems in Byzantine Art]
|
|
• VISST 6445 - [Nature, Cultural Landscape, and Gardens in Early Modern Italy and France]
|
|
• VISST 6500 - [Contemporary Aesthetic Theory and its Discontents]
|
|
• VISST 6601 - [Space, Gender, Body in Early Modern Art]
|
|
• VISST 6619 - Translation, in Theory
|
|
• VISST 6620 - [Reassembling Culture: Montage and Collage]
|
|
• VISST 6818 - [Exhibition Seminar]
|
|
• VISST 6855 - [Threads of Consequence: Textiles in South and Southeast Asia]
|
VTBMS—Veterinary Medicine BioMedical Sciences |
|
• VTBMS 1200 - Veterinary Medicine: Science and Practice
|
|
• VTBMS 2990 - Undergraduate Research in Biomedical Sciences
|
|
• VTBMS 3460 - Principles of Animal Physiology
|
|
• VTBMS 6000 - Special Projects in Anatomy
|
|
• VTBMS 6501 - Natural Engineering: Developmental Biology Paradigms for Regenerative Medicine
|
|
• VTBMS 7010 - Mouse and Stem Cell Pathology
|
|
• VTBMS 7020 - The Practice of Laboratory Animal Medicine
|
|
• VTBMS 7030 - The Biology and Diseases of Laboratory Animals
|
|
• VTBMS 7130 - Cell Cycle Analysis
|
|
• VTBMS 7200 - Biomedical and Biological Sciences Seminar
|
VTMED—Veterinary Medicine Professional Curriculum Foundation courses are interdisciplinary and represent approximately 70 percent of the professional curriculum. In Foundation courses I, III, and IV (VTMED 5100 , VTMED 5300 , VTMED 5400 ), students work in small groups under the guidance of a faculty tutor. Case-based exercises are used to facilitate the understanding of basic science concepts within the context of clinical medicine. In some courses, three two-hour tutorial sessions are scheduled each week. These are complemented by lectures, laboratories, and discussion sessions or other organized learning opportunities specific to the individual course. Faculty members are available to respond to questions that arise as a result of the case-based exercises.
Tutorial sessions and all other organized learning programs are scheduled primarily during the mornings, thereby reserving time in the afternoon for independent study. By learning in a clinical context, students are better able to integrate material from the basic and clinical sciences and are encouraged to develop an understanding of the clinical reasoning process from the beginning of the curriculum. The tutorial-based educational format creates an atmosphere that requires students to be involved actively in their learning and allows them to develop skills in communication, information retrieval, and analysis.
Note: Courses listed in brackets [ ] are approved courses that are not offered during the 2010–2011 academic year. |
|
• VTMED 5100 - The Animal Body (Foundation Course I)
|
|
• VTMED 5200 - Cell Biology and Genetics (Foundation Course II)
|
|
• VTMED 5210 - Fundamentals of General Pathology
|
|
• VTMED 5220 - Neuroanatomy
|
|
• VTMED 5300 - Function and Dysfunction: Part I (Foundation Course IIIa)
|
|
• VTMED 5310 - Function and Dysfunction: Part II (Foundation Course IIIb)
|
|
• VTMED 5400 - Host, Agent, and Defense (Foundation Course IV)
|
|
• VTMED 5410 - Veterinary Parasitology
|
|
• VTMED 5500 - Animal Health and Disease: Part I (Foundation Course V)
|
|
• VTMED 5510 - Animal Health and Disease: Part II (Foundation Course V continued)
|
|
• VTMED 5520 - Diagnostic Imaging
|
|
• VTMED 5600 - Ambulatory and Production Medicine
|
|
• VTMED 5601 - Community Practice Service: Medicine
|
|
• VTMED 5602 - Small Animal Medicine
|
|
Page: 1 <- Back 10 … 99
| 100
| 101
| 102
| 103
| 104
| 105
| 106
| 107
| 108
| 109
|